Elena Zinkevych Franz Liszt in Kyiv (1847) in: Musikgeschichte in Mittel- und Osteuropa, herausgegeben von Helmut Loos, Klaus-Peter Koch, Stefan Keym, Leipzig 2024, S. 177-187
Jonathan Kregor Writing program music's origin stories, 1854–1907 in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 381-398
Petra Weber Taking Liszt literally in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 55-64
Michael Saffle Program music and Liszt's Unstern! in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 107-122
Nicolas Dufetel From poiesis to aesthesis. Imaging programmatic meaning in the illustrations of Liszt's original editions in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 201-232
Rohan H. Stewart-MacDonald Thematic transformation and 'symphonic' development as hermeneutic signifiers in Liszt's Festklänge and Hungaria in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 259-282
Dolores Pesce Beyond Hanslick. Liszt's symphonic poems and program symphonies in Vienna, 1886–1904 in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 429-462