Bibliografie

Adrienne Kaczmarczyk

Liszt, Erkel, Mosonyi: Paths to National Music

in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 83-95

László Vikárius

Bartók, the "Rhapsodos"

in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 64-82

Jiří Kopecký

Liszt, Smetana and Dvořák: Saint Elizabeth – Libuše – Saint Ludmila

in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 52-63

Małgorzata Gamrat

A Romantic Leaf from an Album, or a Well-Thought-Out Proposal. The Case of the Romance "Les pleurs des femmes" ("O pourquoi donc") Based on the Text by a Forgotten Russian Poet

in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 35–51

Jonathan Kregor

Writing program music's origin stories, 1854–1907

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 381-398

Petra Weber

Taking Liszt literally

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 55-64

Michael Saffle

Program music and Liszt's Unstern!

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 107-122

Nicolas Dufetel

From poiesis to aesthesis. Imaging programmatic meaning in the illustrations of Liszt's original editions

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 201-232

Rohan H. Stewart-MacDonald

Thematic transformation and 'symphonic' development as hermeneutic signifiers in Liszt's Festklänge and Hungaria

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 259-282

Dolores Pesce

Beyond Hanslick. Liszt's symphonic poems and program symphonies in Vienna, 1886–1904

in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 429-462