Bibliografie

Scott Burnham

The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"

in: 19th Century Music, Bd. 40, 2017, S. 189-200

Elena Аleksandrovna Trubenok

Композиции Te Deum на cantus prius factus. к формированию жанровой модели

in: Старинная музыка, Bd. 63, 2014, S. 5–10

Hyejin Yi

19세기 후반기 ‘표제적 관현악 작품’의 장르 문제 연구: 리스트의 교향시《햄릿》(1858)에 나타나는 ‘표제적 연주회용 서곡’과의 차별성 연구를 중심으로(19 segi hubangi pyojejeok gwanhyeon'ak jakpum yi jangreu munje yeongu ...)

in: 음악논단 (Eum'ak nondan), Bd. 32, 2014, S. 81–134

Seong-Liul Lee

리스트의 교향시에 나타난 주제와 음악적 구상 (Liseuteu yi gyohyangsi e natanan juje wa eum'agjeog gusang)

in: 음악논단 (Eum'ak nondan), Bd. 31, 2014, S. 153–179

Joanne Cormac

Liszt, Language, and Identity

in: 19th Century Music, Bd. 36, 2013, S. 231–247

David Carrson Berry

The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart

in: 19th Century Music, Bd. 27, 2004, S. 230–262

Anna Harwell Celenza

The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar

in: 19th Century Music, Bd. 26, 2003, S. 130–154

Alexander Rehding

Liszt's Musical Monuments

in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72

Paul Allen Bertagnolli

Amanuensis or Author? The Liszt-Raff Collaboration Revisited

in: 19th Century Music, Bd. 26, 2002, S. 23–51

Dana Gooley

Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon

in: 19th Century Music, Bd. 24, 2000, S. 62–88