Scott Burnham The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied" in: 19th Century Music, Bd. 40, 2017, S. 189-200
Hyejin Yi 19세기 후반기 ‘표제적 관현악 작품’의 장르 문제 연구: 리스트의 교향시《햄릿》(1858)에 나타나는 ‘표제적 연주회용 서곡’과의 차별성 연구를 중심으로(19 segi hubangi pyojejeok gwanhyeon'ak jakpum yi jangreu munje yeongu ...) in: 음악논단 (Eum'ak nondan), Bd. 32, 2014, S. 81–134
Seong-Liul Lee 리스트의 교향시에 나타난 주제와 음악적 구상 (Liseuteu yi gyohyangsi e natanan juje wa eum'agjeog gusang) in: 음악논단 (Eum'ak nondan), Bd. 31, 2014, S. 153–179
Bing Xu 肖邦练习曲与李斯特练习曲对比浅析 (Xiaobang lianxiqu yu Lisite lianxiqu duibi qianxi) in: 音乐探索: 音乐探索四川音乐学院学报 (Yinyue Tansuo: Sichuan Yinyue Xueyuan xuebao), Bd. S1, 2007, S. 35-36
David Carrson Berry The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart in: 19th Century Music, Bd. 27, 2004, S. 230–262
Anna Harwell Celenza The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar in: 19th Century Music, Bd. 26, 2003, S. 130–154
Paul Allen Bertagnolli Amanuensis or Author? The Liszt-Raff Collaboration Revisited in: 19th Century Music, Bd. 26, 2002, S. 23–51
Dana Gooley Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon in: 19th Century Music, Bd. 24, 2000, S. 62–88