Bibliografie

Scott Burnham

The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"

in: 19th Century Music, Bd. 40, 2017, S. 189-200

Andrew H. Weaver

Towards a Narratological Analysis of the Romantic Lied. Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music

in: Music & Letters, Bd. 95, 2014, S. 374–403

Joanne Cormac

Liszt, Language, and Identity

in: 19th Century Music, Bd. 36, 2013, S. 231–247

Michele Calella

Musik und imaginative Geographie: Franz Liszts Années de pèlerinage und die kulturelle Konstruktion der Schweiz

in: Die Musikforschung, Bd. 65, 2012, S. 211–230

David Carrson Berry

The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart

in: 19th Century Music, Bd. 27, 2004, S. 230–262

Anna Harwell Celenza

The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar

in: 19th Century Music, Bd. 26, 2003, S. 130–154

Alexander Rehding

Liszt's Musical Monuments

in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72

Werner Breig

"á Fanny H.". Franz Liszts "Cantique d'amour" als Albumeintrag

in: Die Musikforschung, Bd. 56, 2003, S. 398–401

Paul Allen Bertagnolli

Amanuensis or Author? The Liszt-Raff Collaboration Revisited

in: 19th Century Music, Bd. 26, 2002, S. 23–51

Dana Gooley

Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon

in: 19th Century Music, Bd. 24, 2000, S. 62–88