Bibliografie

Anna Celenza

The Liszt Piano at the American Academy in Rome

in: JALS, Bd. 65, 2014, S. 23–36

Gregory Klug

Pain and Pleasure in Liszt's "Dante" Symphony

in: JALS, Bd. 65, 2014, S. 37–58

Max Bryant

Liszt's Symphony to Dante's "Divine Comedy". Prag 1858

in: JALS, Bd. 65, 2014, S. 59–64

Francesca Brittan

Liszt, Sand, Garcia, and the Contrebandier. Intersubjetivity and Romantic Authorship

in: JALS, Bd. 65, 2014, S. 79–108

David Larkin

From Hell to Heaven? The Narrative Course of Liszt's "Après une lecture du Dante"

in: JALS, Bd. 65, 2014, S. 65–78

Jeffrey Schaeffer

Understanding Tonal Ambiguity in Liszt's Death Pieces

in: JALS, Bd. 64, 2013, S. 35–62

Klára Hamburger

On Liszt's Trois odes funèbres

in: JALS, Bd. 64, 2013, S. 19–34

William Wright

Liszt's "Rather Long Excursion in Asia"

in: JALS, Bd. 64, 2013, S. 5–18

Joanne Cormac

Liszt, Language, and Identity

in: 19th Century Music, Bd. 36, 2013, S. 231–247

Michael Saffle

Liszt's Apprenticeship. The Pianist As Emerging Composer, 1819–1829

in: JALS, Bd. 63, 2012, S. 26–50