Scott Burnham
The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"
in: 19th Century Music, Bd. 40, 2017, S. 189-200
19th Century Music
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La Revue musicale
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Music & Letters
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Andrew H. Weaver
Towards a Narratological Analysis of the Romantic Lied. Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music
in: Music & Letters, Bd. 95, 2014, S. 374–403
Joanne Cormac
Liszt, Language, and Identity
in: 19th Century Music, Bd. 36, 2013, S. 231–247
David Carrson Berry
The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart
in: 19th Century Music, Bd. 27, 2004, S. 230–262
Anna Harwell Celenza
The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar
in: 19th Century Music, Bd. 26, 2003, S. 130–154
Alexander Rehding
Liszt's Musical Monuments
in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72
Paul Allen Bertagnolli
Amanuensis or Author? The Liszt-Raff Collaboration Revisited
in: 19th Century Music, Bd. 26, 2002, S. 23–51
Dana Gooley
Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon
in: 19th Century Music, Bd. 24, 2000, S. 62–88
Vera Micznik
The Absolute Limitations of Programme Music: The Case of Liszt's "Die Ideale"
in: Music & Letters, Bd. 80, 05.1999, S. 207-240
M. W. A. Smith
The Origin of Liszt's Simplification of His 'Grand Galop Chromatique'
in: Music & Letters, Bd. 78, Mai 1997, S. 254-255