Bibliografie

Scott Burnham

The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"

in: 19th Century Music, Bd. 40, 2017, S. 189-200

Jason Yust

Distorted Continuity. Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings

in: Music Theory Spectrum, Bd. 37, 2015, S. 120–143

Elena Аleksandrovna Trubenok

Композиции Te Deum на cantus prius factus. к формированию жанровой модели

in: Старинная музыка, Bd. 63, 2014, S. 5–10

Joanne Cormac

Liszt, Language, and Identity

in: 19th Century Music, Bd. 36, 2013, S. 231–247

David Carrson Berry

The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart

in: 19th Century Music, Bd. 27, 2004, S. 230–262

Anna Harwell Celenza

The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar

in: 19th Century Music, Bd. 26, 2003, S. 130–154

Alexander Rehding

Liszt's Musical Monuments

in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72

Paul Allen Bertagnolli

Amanuensis or Author? The Liszt-Raff Collaboration Revisited

in: 19th Century Music, Bd. 26, 2002, S. 23–51

Dana Gooley

Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon

in: 19th Century Music, Bd. 24, 2000, S. 62–88

Ramon Satyendra

Liszt's Open Structures and the Romantic Fragment

in: Music Theory Spectrum, Bd. 19, 1997, S. 184–205