Scott Burnham
The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"
in: 19th Century Music, Bd. 40, 2017, S. 189-200
19th Century Music
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Problemy Muzykal'noj Nauki
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Старинная музыка
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Elena Аleksandrovna Trubenok
Композиции Te Deum на cantus prius factus. к формированию жанровой модели
in: Старинная музыка, Bd. 63, 2014, S. 5–10
Joanne Cormac
Liszt, Language, and Identity
in: 19th Century Music, Bd. 36, 2013, S. 231–247
Viktoria S. Kriveženko
Функции словесного текста в ораториях Ф. Листа Легенда о св. Елизавете и Христос (Funkcii slovesnogo teksta v oratoriâh F. Lista Legenda o sv. Elizavete i Hristos)
in: Problemy Muzykal'noj Nauki, Bd. 6, 2012, S. 236–240
Olga P. Gorbunova
Gregorian Plainchant in Liszt’s Oratorio "Christus"
in: Problemy Muzykal'noj Nauki, Bd. 6, 2012, S. 235–238
David Carrson Berry
The Meaning(s) of "without". An Exploration of Liszt's Bagatelle ohne Tonart
in: 19th Century Music, Bd. 27, 2004, S. 230–262
Anna Harwell Celenza
The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar
in: 19th Century Music, Bd. 26, 2003, S. 130–154
Alexander Rehding
Liszt's Musical Monuments
in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72
Paul Allen Bertagnolli
Amanuensis or Author? The Liszt-Raff Collaboration Revisited
in: 19th Century Music, Bd. 26, 2002, S. 23–51
Dana Gooley
Warhorses. Liszt, Weber's Konzertstück, and the Cult of Napoléon
in: 19th Century Music, Bd. 24, 2000, S. 62–88