István P. Korody
Lessons from an unknown manuscript: Franz Liszt, Johann Vesque von Püttlingen, and Der lustige Rath
in: JALS, Bd. 72, 2021, S. 76-88
Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music
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JALS
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Júlia Fedoszov
Belligerent ballets: Staging Liszt’s music in interwar Hungary
in: JALS, Bd. 72, 2021, S. 57-75
Imre Kovács
Bestowing the Beethovenian musical heritage to Liszt: The Weihekuss reconsidered
in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 19, 2021, S. 21-33
Allan R. Keiler, Traute M. Marshall, Franz Liszt
Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti
in: JALS, Bd. 72, 2021, S. 5-28
Sean Gower
Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor by Bruno Moysan—Translator’s preface: The two Liszts
in: JALS, Bd. 70-71, 2020, S. 111-112
Bruno Moysan
Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor
in: JALS, Bd. 70-71, 2020, S. 113-140
Nicholas Susi
Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux"
in: JALS, Bd. 70-71, 2020, S. 5-21
David Butler Cannata
Liszt’s organ Masses
in: JALS, Bd. 70-71, 2020, S. 39-91
Franz von Schober
Letters about Franz Liszt’s stay in Hungary
in: JALS, Bd. 70-71, 2020, S. 92-110
Brent Yorgason
Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes
in: JALS, Bd. 69, 2018, S. 5-27