Bibliografie

Rossana Dalmonte

Rethinking the influence of Italian Poetry and Music on Liszt. The Petrarca Sonett "Benedetto sia 'l giorno"

in: Studia Musicologica, Bd. 54, 2013, S. 177–197

Detlef Altenburg

Liszt and the Spirit of Weimar

in: Studia Musicologica, Bd. 54, 2013, S. 165–176

Peter Bloom

Berlioz and Liszt "in the Locker Room"

in: Studia Musicologica, Bd. 54, 2013, S. 75–85

Dolores Pesce

The "Individual" in Johann Friedrich Overbeck's and Franz Liszt's "Seven Sacraments"

in: Studia Musicologica, Bd. 54, 2013, S. 339–356

Sandra J. Fallon-Ludwig

Narrative Inspiration in Liszt's Symphonic Poems. The Cases of "Hunnenschlacht" and "Tasso, Lamento e Trionfo"

in: Studia Musicologica, Bd. 54, 2013, S. 367-378

Dorothea Redepenning

Liszt und die bildende Kunst – systematische Überlegungen

in: Studia Musicologica, Bd. 54, 2013, S. 11–19

Richard Taruskin

Liszt and Bad Taste

in: Studia Musicologica, Bd. 54, 2013, S. 87–103

Laurence Le Diagon-Jacquin

"Le Persée de Benvenuto Cellini" de Liszt un manifeste artistique?

in: Studia Musicologica, Bd. 54, 2013, S. 357–366

Annie (Yen-Ling) Liu

Listening as Gazing. Synaesthesia and the double apotheosis in Franz Liszt's "Hunnenschlacht"

in: Studia Musicologica, Bd. 54, 2013, S. 379–388

Lucia Navarrini, Annarosa Vannoni

L'œuvre de Dante Alighieri comme source d'inspiration pour Augusta Holmés et Franz Liszt

in: Studia Musicologica, Bd. 54, 2013, S. 397–415