Bibliografie

István P. Korody

Lessons from an unknown manuscript: Franz Liszt, Johann Vesque von Püttlingen, and Der lustige Rath

in: JALS, Bd. 72, 2021, S. 76-88

Júlia Fedoszov

Belligerent ballets: Staging Liszt’s music in interwar Hungary

in: JALS, Bd. 72, 2021, S. 57-75

Allan R. Keiler, Traute M. Marshall, Franz Liszt

Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti

in: JALS, Bd. 72, 2021, S. 5-28

Sean Gower

Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor by Bruno Moysan—Translator’s preface: The two Liszts

in: JALS, Bd. 70-71, 2020, S. 111-112

Bruno Moysan

Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor

in: JALS, Bd. 70-71, 2020, S. 113-140

Nicholas Susi

Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux"

in: JALS, Bd. 70-71, 2020, S. 5-21

David Butler Cannata

Liszt’s organ Masses

in: JALS, Bd. 70-71, 2020, S. 39-91

Franz von Schober

Letters about Franz Liszt’s stay in Hungary

in: JALS, Bd. 70-71, 2020, S. 92-110

Miriam Gómez-Morán

Los pianos de Liszt en Viena (1838–1846). Un estudio de los instrumentos a través de artículos de prensa de la época

in: Cuadernos de música iberoamericana: Órgano científico del Instituto Complutense de Ciencias Musicales, Bd. 32, 2019, S. 269-291

Brent Yorgason

Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes

in: JALS, Bd. 69, 2018, S. 5-27