Rossana Dalmonte Tra potere e rivolta. Il primo viaggio di Liszt in Italia (1837–39) in: Musica/realtà: Rivista quadrimestrale, Bd. 41, 2020, S. 43-80
Sławomira Żerańska-Kominek Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning in: Interdisciplinary Studies in Musicology, Bd. 19, 2019, S. 117-134
Márta Grabócz Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor) in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135
Dario Miozzi La Faust-Ouverture di Wagner: una “gelosa” risposta alla Faust-Symphonie di Liszt in: Musica/realtà: Rivista quadrimestrale, Bd. 101, 2013, S. 97–116
Przemysław Krzywoszyński Gaetano Donizetti by Franz Liszt, the piano in the service of the opera in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154
Leszek Polony The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28
Ziemowit Wojtczak Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66
Ryszard Daniel Golianek A Polish saint. Historical-national themes in Franz Liszt’s oratorio 'St Stanislaus' in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 79–89
Joanna Subel Theatrical drama and Franciscan simplicity in oratorios by Ferenc Liszt in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 67–77
Anna G. Piotrowska Liszt and the issue of so called Gypsy music in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 127–140