John Schuster-Craig
"Bizarre Harmony and the So-Called Newest Style". The Harmonic Language of Rimsky-Korsakov's "Le Coq D'Or"
in: JALS, Bd. 43, 1998, S. 45–55
Jon R. Skinner
The Musical Reform of Emmanuele Gambale
in: JALS, Bd. 42, 1997, S. 1–25
Joan Allison
Remembering Leo Sirota. Virtuoso Pianist
in: JALS, Bd. 42, 1997, S. 60–70
Theodore Edel
Liszt's "La Notte". Piano Music as Self-Portrait
in: JALS, Bd. 42, 1997, S. 43–59
William Wright
Liszt in Manchester
in: JALS, Bd. 41, 1997, S. 1–20
Adrienne Kaczmarczyk
Liszt. "Marie, Poème" (A Planned Piano Cycle)
in: JALS, Bd. 41, 1997, S. 88–101
Michele Tannenbaum
Liszt and Bach. "Invention" and "Feeling" in the "Variations on a Motive of Bach"
in: JALS, Bd. 41, 1997, S. 49–87
Paul Allen Munson
"Les Morts" as a Paradigm of Liszt's Religious Music
in: JALS, Bd. 41, 1997, S. 102–110
Malou Haine
Franz Liszt's Last Journeys to Belgium and Paris, March to June 1886
in: JALS, Bd. 42, 1997, S. 26–42
Malou Haine
A Liszt Manuscript Newly Discovered in Belgium. The Orchestration of Two "Danses galiciennes" and a Mazurka Composed by Juliusz Zarembski
in: JALS, Bd. 41, 1997, S. 38–48