Bibliografie

Ken Johansen

Gabriel Fauré and the Art of Ambiguity

in: JALS, Bd. 43, 1998, S. 8–44

Wataru Fukuda

"Drei Zigeuner", "Gebet", and "Ave maris stella" from Liszt's Manuscripts in the Richard Wagner Museum at Bayreuth

in: JALS, Bd. 44, 1998, S. 24–34

John Schuster-Craig

"Bizarre Harmony and the So-Called Newest Style". The Harmonic Language of Rimsky-Korsakov's "Le Coq D'Or"

in: JALS, Bd. 43, 1998, S. 45–55

Jon R. Skinner

The Musical Reform of Emmanuele Gambale

in: JALS, Bd. 42, 1997, S. 1–25

Joan Allison

Remembering Leo Sirota. Virtuoso Pianist

in: JALS, Bd. 42, 1997, S. 60–70

Theodore Edel

Liszt's "La Notte". Piano Music as Self-Portrait

in: JALS, Bd. 42, 1997, S. 43–59

William Wright

Liszt in Manchester

in: JALS, Bd. 41, 1997, S. 1–20

Adrienne Kaczmarczyk

Liszt. "Marie, Poème" (A Planned Piano Cycle)

in: JALS, Bd. 41, 1997, S. 88–101

Michele Tannenbaum

Liszt and Bach. "Invention" and "Feeling" in the "Variations on a Motive of Bach"

in: JALS, Bd. 41, 1997, S. 49–87

Paul Allen Munson

"Les Morts" as a Paradigm of Liszt's Religious Music

in: JALS, Bd. 41, 1997, S. 102–110