István P. Korody Lessons from an unknown manuscript: Franz Liszt, Johann Vesque von Püttlingen, and Der lustige Rath in: JALS, Bd. 72, 2021, S. 76-88
Júlia Fedoszov Belligerent ballets: Staging Liszt’s music in interwar Hungary in: JALS, Bd. 72, 2021, S. 57-75
Allan R. Keiler, Traute M. Marshall, Franz Liszt Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti in: JALS, Bd. 72, 2021, S. 5-28
Daniele Tonini, Emanuele Marcante "Le torri mi cascano sul naso…": I giorni e i luoghi di Liszt a Bologna nel 1838 in: Quaderni dell’Istituto Liszt, Bd. 21, 2021, S. 45-80
Sean Gower Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor by Bruno Moysan—Translator’s preface: The two Liszts in: JALS, Bd. 70-71, 2020, S. 111-112
Bruno Moysan Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor in: JALS, Bd. 70-71, 2020, S. 113-140
Nicholas Susi Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux" in: JALS, Bd. 70-71, 2020, S. 5-21
Brent Yorgason Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes in: JALS, Bd. 69, 2018, S. 5-27