Bibliografie

Tibor Szász

Towards a new edition of Liszt’s sonata in B minor. Sources, editorial history, symbolic issues

in: JALS, Bd. 68, 2017, S. 57-108

Rossana Dalmonte

Liszt’s Preludio funebre and/or Trauervorspiel

in: JALS, Bd. 67, 2016, S. 7-19

Hyeon-ju Kim

Interpretive fidelity to Gypsy creativity. Liszt’s representations of Hungarian-Gypsy cimbalom playing

in: JALS, Bd. 67, 2016, S. 27-71

Allan Keiler

Liszt as Romantic hero. Imposturing and the false self

in: JALS, Bd. 67, 2016, S. 72-84

Carissa Reddick

Transcending Palestrina. The Blend of Old and New Styles in Liszt's Missa Choralis

in: JALS, Bd. 65, 2015, S. 73–96

Stephen Armstrong

Liszt's Rational Virtuosity Textural Transformation and the B-Minor Ballade

in: JALS, Bd. 66, 2015, S. 5–22

Martin Adler

Franz Liszt and Maria Pavlovna Romanova. An Homage to the Grand Duchess in Liszt's Petrarch Sonnet Number 47

in: JALS, Bd. 66, 2015, S. 23–33

Jorge Modolell

Evaluating the Reception of Liszt's Symphonic and Choral Works in Nineteenth-Century America

in: JALS, Bd. 66, 2015, S. 34–50

Scott Messing

Who Wrote Liszt's "Grande paraphrase" of Schubert's "Marche militaire"

in: JALS, Bd. 65, 2014, S. 5–22

Anna Celenza

The Liszt Piano at the American Academy in Rome

in: JALS, Bd. 65, 2014, S. 23–36