Bibliografie

Scott Messing

Who Wrote Liszt's "Grande paraphrase" of Schubert's "Marche militaire"

in: JALS, Bd. 65, 2014, S. 5–22

Anna Celenza

The Liszt Piano at the American Academy in Rome

in: JALS, Bd. 65, 2014, S. 23–36

Gregory Klug

Pain and Pleasure in Liszt's "Dante" Symphony

in: JALS, Bd. 65, 2014, S. 37–58

Max Bryant

Liszt's Symphony to Dante's "Divine Comedy". Prag 1858

in: JALS, Bd. 65, 2014, S. 59–64

Francesca Brittan

Liszt, Sand, Garcia, and the Contrebandier. Intersubjetivity and Romantic Authorship

in: JALS, Bd. 65, 2014, S. 79–108

David Larkin

From Hell to Heaven? The Narrative Course of Liszt's "Après une lecture du Dante"

in: JALS, Bd. 65, 2014, S. 65–78

Przemysław Krzywoszyński

Gaetano Donizetti by Franz Liszt, the piano in the service of the opera

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154

Leszek Polony

The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28

Ziemowit Wojtczak

Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66

Ryszard Daniel Golianek

A Polish saint. Historical-national themes in Franz Liszt’s oratorio 'St Stanislaus'

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 79–89