Bibliografie

Michele Calella

Reckoning with the past. Strategies of musical authorship in Liszt’s thematic catalogue (1855/1877)

in: Music & letters, Bd. 101, 2020, S. 30-70

Sławomira Żerańska-Kominek

Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning

in: Interdisciplinary Studies in Musicology, Bd. 19, 2019, S. 117-134

Márta Grabócz

Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor)

in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135

Przemysław Krzywoszyński

Gaetano Donizetti by Franz Liszt, the piano in the service of the opera

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154

Leszek Polony

The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28

Ziemowit Wojtczak

Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66

Ryszard Daniel Golianek

A Polish saint. Historical-national themes in Franz Liszt’s oratorio 'St Stanislaus'

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 79–89

Joanna Subel

Theatrical drama and Franciscan simplicity in oratorios by Ferenc Liszt

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 67–77

Anna G. Piotrowska

Liszt and the issue of so called Gypsy music

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 127–140

Anna Ryszka-Komarnicka

From the reprise overture to Liszt's B minor Sonata. Romantic creations in an eighteenth century form al 'corset'?

in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 29–42