Adelìna Gelìїvna Êfìmenko Beispiel romantischer Kunstreligion: Franz Liszts Requiem in: Musik und Kirche, Bd. 93, 2023, S. 362-365
Sven Hiemke Hymnisch. Franz Liszts "Cantico del Sol di Francesco d'Assisi" in: Musik und Kirche, Bd. 90, 2020, S. 216-217
Sławomira Żerańska-Kominek Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning in: Interdisciplinary Studies in Musicology, Bd. 19, 2019, S. 117-134
Elena Аleksandrovna Trubenok Композиции Te Deum на cantus prius factus. к формированию жанровой модели in: Старинная музыка, Bd. 63, 2014, S. 5–10
Márta Grabócz Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor) in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135
Przemysław Krzywoszyński Gaetano Donizetti by Franz Liszt, the piano in the service of the opera in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154
Leszek Polony The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28
Ziemowit Wojtczak Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66
Ryszard Daniel Golianek A Polish saint. Historical-national themes in Franz Liszt’s oratorio 'St Stanislaus' in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 79–89
Joanna Subel Theatrical drama and Franciscan simplicity in oratorios by Ferenc Liszt in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 67–77