Daniele Tonini, Emanuele Marcante "Le torri mi cascano sul naso…": I giorni e i luoghi di Liszt a Bologna nel 1838 in: Quaderni dell’Istituto Liszt, Bd. 21, 2021, S. 45-80
Sławomira Żerańska-Kominek Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning in: Interdisciplinary Studies in Musicology, Bd. 19, 2019, S. 117-134
András Török Bauboom im Bartók-Land. Vom gegenwärtigen ungarischen Konzertsaalwunder in: Österreichische Musikzeitschrift, Bd. 69, 2014, S. 28–35
Márta Grabócz Narrative strategies of the Romantic "philosophical epics" in the piano works of Franz Liszt (Analysis of Sposalizio, Valée D’Obermann, Ballade No. 2 and the Sonata in B minor) in: Interdisciplinary Studies in Musicology, Bd. 14, 2014, S. 113–135
Mariateresa Storino Attorno al Simon Boccanegra. La trascrizione da Verdi nel contesto dell’opera dell’ultimo Liszt in: Quaderni dell’Istituto Liszt, Bd. 14, 2014, S. 23–57
Egidio Pozzi Narrazione e struttura in Réminiscences de Boccanegra di Franz Liszt in: Quaderni dell’Istituto Liszt, Bd. 14, 2014, S. 121–162
Małgorzata Gamrat Franz Liszt et Félix Lichnowsky. Histoire d’une amitié in: Quaderni dell’Istituto Liszt, Bd. 14, 2014, S. 163-188
Przemysław Krzywoszyński Gaetano Donizetti by Franz Liszt, the piano in the service of the opera in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 141–154
Leszek Polony The 'Faust' or 'Lucifer' Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 17–28
Ziemowit Wojtczak Between opera and the Lied. 'Tre sonetti di Petrarca' by Franz Liszt in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 57–66