István P. Korody
Lessons from an unknown manuscript: Franz Liszt, Johann Vesque von Püttlingen, and Der lustige Rath
in: JALS, Bd. 72, 2021, S. 76-88
JALS
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音乐艺术：上海音乐学院学报 ( Yinyue yishu: Shanghai Yinyue Xueyuan xuebao/Art of music: Journal of the Shanghai Conservatory of Music )
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Júlia Fedoszov
Belligerent ballets: Staging Liszt’s music in interwar Hungary
in: JALS, Bd. 72, 2021, S. 57-75
Allan R. Keiler, Traute M. Marshall, Franz Liszt
Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti
in: JALS, Bd. 72, 2021, S. 5-28
Sean Gower
Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor by Bruno Moysan—Translator’s preface: The two Liszts
in: JALS, Bd. 70-71, 2020, S. 111-112
Bruno Moysan
Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor
in: JALS, Bd. 70-71, 2020, S. 113-140
Nicholas Susi
Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux"
in: JALS, Bd. 70-71, 2020, S. 5-21
David Butler Cannata
Liszt’s organ Masses
in: JALS, Bd. 70-71, 2020, S. 39-91
Franz von Schober
Letters about Franz Liszt’s stay in Hungary
in: JALS, Bd. 70-71, 2020, S. 92-110
Miao Wang
古典时期乐句写作范式下的“无调性”处理——对李斯特《梅菲斯托圆舞曲》第四首的音乐分析 (Gudian shiqi yueju xiezuo fanshi xiade 'wudiaoxing' chuli. Dui Lisite Meifisituo yuanwuqu disishou de yinyue fenxi)
in: 音乐艺术：上海音乐学院学报 ( Yinyue yishu: Shanghai Yinyue Xueyuan xuebao/Art of music: Journal of the Shanghai Conservatory of Music ), Bd. 4, 2018, S. 61-67
Brent Yorgason
Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes
in: JALS, Bd. 69, 2018, S. 5-27