Bibliografie

Anna Celenza

The Liszt Piano at the American Academy in Rome

in: JALS, Bd. 65, 2014, S. 23–36

Gregory Klug

Pain and Pleasure in Liszt's "Dante" Symphony

in: JALS, Bd. 65, 2014, S. 37–58

Max Bryant

Liszt's Symphony to Dante's "Divine Comedy". Prag 1858

in: JALS, Bd. 65, 2014, S. 59–64

Francesca Brittan

Liszt, Sand, Garcia, and the Contrebandier. Intersubjetivity and Romantic Authorship

in: JALS, Bd. 65, 2014, S. 79–108

David Larkin

From Hell to Heaven? The Narrative Course of Liszt's "Après une lecture du Dante"

in: JALS, Bd. 65, 2014, S. 65–78

Evangelia Mitsopoulou

The six piano transcriptions of Liszt’s Dante Symphony

in: Quaderni dell'Istituto Liszt, Bd. 13, 2013, S. 89–113

Saverio Lamacchia

Liszt, Giovanni Pacini, Maria Giuli, e la sinfonia Dante. Alcuni inediti

in: Quaderni dell'Istituto Liszt, Bd. 13, 2013, S. 45–69

Zsusanna Domokos

Die Vatikanische Fassung von Liszts Graner Messe

in: Quaderni dell'Istituto Liszt, Bd. 13, 2013, S. 71–85

Jeffrey Schaeffer

Understanding Tonal Ambiguity in Liszt's Death Pieces

in: JALS, Bd. 64, 2013, S. 35–62

Klára Hamburger

On Liszt's Trois odes funèbres

in: JALS, Bd. 64, 2013, S. 19–34