Bibliografie

István P. Korody

Lessons from an unknown manuscript: Franz Liszt, Johann Vesque von Püttlingen, and Der lustige Rath

in: JALS, Bd. 72, 2021, S. 76-88

Júlia Fedoszov

Belligerent ballets: Staging Liszt’s music in interwar Hungary

in: JALS, Bd. 72, 2021, S. 57-75

Allan R. Keiler, Traute M. Marshall, Franz Liszt

Franz Liszt on Beethoven, Mendelssohn, Meyerbeer, and Donizetti

in: JALS, Bd. 72, 2021, S. 5-28

Sean Gower

Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor by Bruno Moysan—Translator’s preface: The two Liszts

in: JALS, Bd. 70-71, 2020, S. 111-112

Bruno Moysan

Pursuing the wondrous cantando espressivo: A new investigation of Liszt’s sonata in B minor

in: JALS, Bd. 70-71, 2020, S. 113-140

Nicholas Susi

Writing a musical icon. The double-tonic complex in Liszt’s Legend no. 1 "St. François d’Assise: La prédication aux oiseaux"

in: JALS, Bd. 70-71, 2020, S. 5-21

David Butler Cannata

Liszt’s organ Masses

in: JALS, Bd. 70-71, 2020, S. 39-91

Franz von Schober

Letters about Franz Liszt’s stay in Hungary

in: JALS, Bd. 70-71, 2020, S. 92-110

Céline Carenco, Nicolas Dufetel

Orienter l’écoute et la réception. La diffusion des préfaces aux poèmes symphoniques de Liszt dans les salles et la presse en Allemagne et en France (1850–1914). Une enquête préliminaire

in: Revue musicale OICRM, Bd. 7, 2020, S. 36-61

Brent Yorgason

Mandatory mannerisms. The evolution of notated expressive asynchrony in Liszt’s Transcendental Etudes

in: JALS, Bd. 69, 2018, S. 5-27