Andrew Haringer
Liszt, Urhan, and the sanctification of Schubert
in: JALS, Bd. 68, 2017, S. 5-40
JALS
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Studia Musicologica
Suchparameter "Studia Musicologica" entfernen
Tibor Szász
Towards a new edition of Liszt’s sonata in B minor. Sources, editorial history, symbolic issues
in: JALS, Bd. 68, 2017, S. 57-108
Rossana Dalmonte
Liszt’s Preludio funebre and/or Trauervorspiel
in: JALS, Bd. 67, 2016, S. 7-19
Hyeon-ju Kim
Interpretive fidelity to Gypsy creativity. Liszt’s representations of Hungarian-Gypsy cimbalom playing
in: JALS, Bd. 67, 2016, S. 27-71
Allan Keiler
Liszt as Romantic hero. Imposturing and the false self
in: JALS, Bd. 67, 2016, S. 72-84
Imre Kovács
Liszt's Hungaro-European Synthesis. Comments relating to the Cultural-historic Context of The Three Kings March of the Christus oratorio
in: Studia Musicologica, Bd. 57, 2016, S. 379–390
Carissa Reddick
Transcending Palestrina. The Blend of Old and New Styles in Liszt's Missa Choralis
in: JALS, Bd. 65, 2015, S. 73–96
Stephen Armstrong
Liszt's Rational Virtuosity Textural Transformation and the B-Minor Ballade
in: JALS, Bd. 66, 2015, S. 5–22
Martin Adler
Franz Liszt and Maria Pavlovna Romanova. An Homage to the Grand Duchess in Liszt's Petrarch Sonnet Number 47
in: JALS, Bd. 66, 2015, S. 23–33
Jorge Modolell
Evaluating the Reception of Liszt's Symphonic and Choral Works in Nineteenth-Century America
in: JALS, Bd. 66, 2015, S. 34–50