Bibliografie

Max Bryant

Liszt's Symphony to Dante's "Divine Comedy". Prag 1858

in: JALS, Bd. 65, 2014, S. 59–64

Francesca Brittan

Liszt, Sand, Garcia, and the Contrebandier. Intersubjetivity and Romantic Authorship

in: JALS, Bd. 65, 2014, S. 79–108

David Larkin

From Hell to Heaven? The Narrative Course of Liszt's "Après une lecture du Dante"

in: JALS, Bd. 65, 2014, S. 65–78

Ida Zicari

A Writing That Dictates the Choreography. "Dante Sonata" by Frederick Ashton

in: Studia Musicologica, Bd. 54, 2013, S. 417–429

Katalin Gellér

"La musique nous accompagne du berceau à la tombe"

in: Studia Musicologica, Bd. 54, 2013, S. 443–453

Joanne Cormac

Revising "Hamlet": the Symphonic Poem in the Theatre

in: Studia Musicologica, Bd. 54, 2013, S. 35–48

Mariateresa Storino

The Never-Ending Story: Jeanne d’Arc au bûcher

in: Studia Musicologica, Bd. 54, 2013, S. 199–216

Jonathan Kregor

Forging "Paganinis of the Piano" in the 1830s

in: Studia Musicologica, Bd. 54, 2013, S. 115–133

Zsuzsanna Domokos

Gretchen's Figure in Liszt's Musical Interpretation

in: Studia Musicologica, Bd. 54, 2013, S. 389–396

Patrick Boenke

Collapse and Dismantlement: On Form and Dramaturgy in Liszt's Late Symphonic Poem "From the Cradle to the Grave"

in: Studia Musicologica, Bd. 54, 2013, S. 431–442