David Henning Plylar
Franz Liszt's "Trois odes funèbres". A Case Study in Intertextuality
in: JALS, Bd. 59–60, 2009, S. 24–149
JALS
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The Musical Quarterly
Suchparameter "The Musical Quarterly" entfernen
Atara Isaacson
A Singing Voice in Liszt's Piano Concerto No. 1 in E flat
in: JALS, Bd. 59-60, 2009, S. 150–167
Jonahtan Kregor
Stylistic reconstructions in Liszt's late arrangements
in: The Musical Quarterly, Bd. 91, 2008, S. 200-239
Nicolas Dufetel
Franz Liszt: Eleven Autograph Letters (1828–1886) at the Beinecke Library (Yale University)
in: JALS, Bd. 58, 2007, S. 4–46
o.A.
Selective Chronology
in: JALS, Bd. 57, 2006, S. 1-8
Klára Hamburger
Understanding the Hungarian Reception History of Liszt's "Des Bohémiens et de leur musique en Hongrie" (1859/1881)
in: JALS, Bd. 54–56, 2005, S. 75–84
Paul Allen Bertagnolli
Transcribing "Prometheus"
in: JALS, Bd. 54–56, 2005, S. 134–155
Paul Merrick
Two Keys for Six Pieces. Tonality and Liszt's "Consolations"
in: JALS, Bd. 54–56, 2005, S. 125–133
Pauline Pocknell
Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations
in: JALS, Bd. 54–56, 2005, S. 171–190
Zsuzsanna Domokos
Liszt's Roman Experience of Palestrina in 1839. The Importance of Fortunato Santini's Library
in: JALS, Bd. 54–56, 2005, S. 45–56