Bibliografie

David Henning Plylar

Franz Liszt's "Trois odes funèbres". A Case Study in Intertextuality

in: JALS, Bd. 59–60, 2009, S. 24–149

Atara Isaacson

A Singing Voice in Liszt's Piano Concerto No. 1 in E flat

in: JALS, Bd. 59-60, 2009, S. 150–167

Paul Merrick

Liszt's Music in C major

in: The Musical Times, Bd. 149, 2008, S. 70-80

Nicolas Dufetel

Franz Liszt: Eleven Autograph Letters (1828–1886) at the Beinecke Library (Yale University)

in: JALS, Bd. 58, 2007, S. 4–46

o.A.

Selective Chronology

in: JALS, Bd. 57, 2006, S. 1-8

Alan Davison

Franz Liszt and the Development of Nineteenth-century Pianism. A Re-reading of Evidence

in: The Musical Times, Bd. 147, 2006, S. 33–43

Klára Hamburger

Understanding the Hungarian Reception History of Liszt's "Des Bohémiens et de leur musique en Hongrie" (1859/1881)

in: JALS, Bd. 54–56, 2005, S. 75–84

Paul Allen Bertagnolli

Transcribing "Prometheus"

in: JALS, Bd. 54–56, 2005, S. 134–155

Paul Merrick

Two Keys for Six Pieces. Tonality and Liszt's "Consolations"

in: JALS, Bd. 54–56, 2005, S. 125–133

Pauline Pocknell

Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations

in: JALS, Bd. 54–56, 2005, S. 171–190