Bibliografie

Andrew H. Weaver

Towards a Narratological Analysis of the Romantic Lied. Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music

in: Music & Letters, Bd. 95, 2014, S. 374–403

Céline Carenco

De l'orchestre de Berlioz au piano de Liszt. Les transcriptions d'Harold en Italie

in: Revue de Musicologie, Bd. 99, 2013, S. 79–117

Jonahtan Kregor

Stylistic reconstructions in Liszt's late arrangements

in: The Musical Quarterly, Bd. 91, 2008, S. 200-239

Vera Micznik

The Absolute Limitations of Programme Music: The Case of Liszt's "Die Ideale"

in: Music & Letters, Bd. 80, 05.1999, S. 207-240

M. W. A. Smith

The Origin of Liszt's Simplification of His 'Grand Galop Chromatique'

in: Music & Letters, Bd. 78, Mai 1997, S. 254-255

Paul Allen Munson

The Librettos for Liszt's Oratorio "St. Stanislaus"

in: Music & Letters, Bd. 77, 1997, S. 532–550

E. Douglas Bomberger

Charting the Future of "Zukunftsmusik". Liszt and the Weimar Orchesterschule

in: The Musical Quarterly, Bd. 80, 1996, S. 348–361

Serge Gut

Le profane et le religieux dans les différentes versions de l'Ave Maria de Franz Liszt

in: Revue de Musicologie, Bd. 76, 1990, S. 95–102

Serge Gut

La recherche Lisztienne depuis 1982

in: Revue de Musicologie, Bd. 74, 1988, S. 81–96; Band 75 (1989), S. 76–100

John Williamson

The Revision of Liszt's "Prometheus"

in: Music & Letters, Bd. 67, 1986, S. 381–390