Ida Zicari A Writing That Dictates the Choreography. "Dante Sonata" by Frederick Ashton in: Studia Musicologica, Bd. 54, 2013, S. 417–429
Katalin Gellér "La musique nous accompagne du berceau à la tombe" in: Studia Musicologica, Bd. 54, 2013, S. 443–453
Joanne Cormac Revising "Hamlet": the Symphonic Poem in the Theatre in: Studia Musicologica, Bd. 54, 2013, S. 35–48
Mariateresa Storino The Never-Ending Story: Jeanne d’Arc au bûcher in: Studia Musicologica, Bd. 54, 2013, S. 199–216
Jonathan Kregor Forging "Paganinis of the Piano" in the 1830s in: Studia Musicologica, Bd. 54, 2013, S. 115–133
Zsuzsanna Domokos Gretchen's Figure in Liszt's Musical Interpretation in: Studia Musicologica, Bd. 54, 2013, S. 389–396
Patrick Boenke Collapse and Dismantlement: On Form and Dramaturgy in Liszt's Late Symphonic Poem "From the Cradle to the Grave" in: Studia Musicologica, Bd. 54, 2013, S. 431–442
Nicolas Dufetel "Qu'est-ce que l'art? Nouvel essai esthétique" Liszt et l'essai esthétique inédit de Carolyne zu Sayn-Wittgenstein in: Studia Musicologica, Bd. 54, 2013, S. 49–73
Serge Gut Des Harmonies poétiques et religieuses de Lamartine à celles de Franz Liszt in: Studia Musicologica, Bd. 54, 2013, S. 21–34
Helmut Loos Liszt, Mendelssohn und die Künste im Spiegel der Briefe in: Studia Musicologica, Bd. 54, 2013, S. 147–163