Liszt-Portal: Bibliografie

11 Treffer

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372

The Role of Tonality in the Swiss Book of Années de Pèrerinage

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383

The Coming of French and Belgian Music to Budapest and Liszt's Role

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 36, 1995, S. 39–46

Original or Doubtful? Liszt's Use of Key in Support of His Authorship of Don Sanche

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 427-434

Zum Problem der Datierung der Spätwerke Franz Liszts

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 445-447

Responses and Antiphons. Liszt in 1860

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 187–194

Hungarian Historical Portraits

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 79–88

Liszt's Transfer from Weimar to Rome. A Thwarted Marriage

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 21, 1979, S. 219–238

Liszt in Rom, nach der Presse (Erster Teil)

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 19, 1977, S. 85–107

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