Scott Burnham
The Stillness of Time, the Fullness of Space. Four Settings of Goethe's "Wandrers Nachtlied"
in: 19th Century Music, Bd. 40, 2017, S. 189-200
Burnham, Scott
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Merrick, Paul
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Rehding, Alexander
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Paul Merrick
The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work
in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick
"Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome
in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Paul Merrick
Liszt's Music in C major
in: The Musical Times, Bd. 149, 2008, S. 70-80
Paul Merrick
Two Keys for Six Pieces. Tonality and Liszt's "Consolations"
in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick
The Choral Works of Liszt
in: Liszt Society Journal, Bd. 30, 2005, S. 8-11
Paul Merrick
Liszt's sans ton Key Signature
in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Alexander Rehding
Liszt's Musical Monuments
in: 19th Century Music, Bd. 26, 2002–2003, S. 52–72
Alexander Rehding
TrisZtan. Or, the Case of Liszt's 'Ich möchte hingehn'
in: Ninteteenth-Century Music. Selected Proceedings of the Tenth International Conference, herausgegeben von Jim Samson, Bennett Zon, Adlershot 2002, S. 75-97
Paul Merrick
"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"
in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372