Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
José Luis Castillo Franz Liszt y Richard Wagner: Reciprocidad entre dos visionarios in: Wagner · 200 años. Reflexiones desde la universidad, herausgegeben von Isabel Pascua Febles, Las Palmas de Gran Canaria 2013, S. 135–158
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372
Paul Merrick The Role of Tonality in the Swiss Book of Années de Pèrerinage in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383
Paul Merrick Liszt's use of the Key of D major: Some Observations in: Liszt Society Journal, Bd. 23, 1998, S. 27–32