Anna Harwell Celenza Italy in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 29-37
Anna Harwell Celenza Patronage. The court in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 133-140
Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Anna Harwell Celenza Liszt, Italy, and the Republic of the Imagination in: Franz Liszt and his World, herausgegeben von Christopher H. Gibbs, Dana Gooley, Princeton, Oxford 2006, S. 3-38
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Anna Harwell Celenza The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar in: 19th Century Music, Bd. 26, 2003, S. 130–154