Anna Harwell Celenza
Italy
in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 29-37
Celenza, Anna Harwell
Suchparameter "Celenza, Anna Harwell" entfernen
Short, Michael
Suchparameter "Short, Michael" entfernen
Anna Harwell Celenza
Patronage. The court
in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 133-140
Michael Short
The Correspondence between Ferenc Liszt and Joachim Raff translated into Englisch and annotated by Michael Short
in: Liszt Society Journal, Bd. 45, 2020, S. 11-92
Michael Short
Franz Liszt and Felix Lichnowsky Part II (from 1845)
in: Liszt Society Journal, Bd. 43, 2018, S. 46-69
Michael Short
Liszt as Conductor. An Examination of a Much-Neglected Aspect of his Career
in: Liszt Society Journal, Bd. 38, 2013, S. 33–53
Anna Harwell Celenza
Liszt, Italy, and the Republic of the Imagination
in: Franz Liszt and his World, herausgegeben von Christopher H. Gibbs, Dana Gooley, Princeton, Oxford 2006, S. 3-38
Michael Short
"Christus". Two interlinked dissertations. (i) A monumental achievement in Nineteenth-Century Oratorio. The background to the composition, (ii) A Source Study
in: Liszt Society Journal, Bd. 29, 2004, S. 9–24; S. 25–45
Michael Short
Liszt's "Cinq Choeurs": Background to an Unpublished Work
in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 281-286
Anna Harwell Celenza
The Poet, the Pianist and the Patron. Hans Christian Andersen and Franz Liszt in Carl Alexander's Weimar
in: 19th Century Music, Bd. 26, 2003, S. 130–154
Anna Harwell Celenza
Death Transfigured. The Origins and Evolution of Franz Liszt's Totentanz
in: Ninteteenth-Century Music. Selected Proceedings of the Tenth International Conference, herausgegeben von Jim Samson, Bennett Zon, Adlershot 2002, S. 125–154