Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Xiaorui Chu 从李斯特钢琴作品看其对文学名著的音乐阐释——试析李斯特《但丁奏鸣曲》的音乐内涵 (Cong Liszt gangqinzuopin kanqi dui wenxuemingzhu de yinyuechanshi: Shixi Liszt 'dangdin zoumingqu' de yinyueneihan) in: 乐府新声. 沈阳音乐学院学报 (Yuefu xin sheng: Shenyang Yinyue Xueyuan xuebao), Bd. 4, 2008, S. 210-213
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Mária P. Eckhardt Franz Liszt and his Godson Francis Korbay. New Documents in the Liszt Ferenc Memorial Museum, Budapest in: JALS, Bd. 54–56, 2005, S. 85–101
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Mária P. Eckhardt, Rena Charnin Mueller (Catalogue of) "Works" in: The New Grove Dictionary, herausgegeben von Stanley Sadie, London, New York 2001, S. 785–872
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372