Kenneth DeLong Music about Thinking – Thinking about Music. Music and Metaphor in Liszt's "II Penseroso" in: Liszt Society Journal, Bd. 44, 2019, S. 37-46
Kenneth DeLong From Malerei to Empfindung. Programme and Expression in Liszt's "Sposalizio" in: Liszt Society Journal, Bd. 44, 2019, S. 26-36
Kenneth DeLong Franz Liszt as Musical Tourist. Venezia e Napoli (1840/1859) in: Liszt Society Journal, Bd. 43, 2018, S. 10-22
Kenneth DeLong Liszt and Smetana in the Mirror of Czech National Music in: Musik im Spannungsfeld zwischen nationalem Denken und Weltbürgertum. Franz Liszt zum 200. Geburtstag, herausgegeben von Dorothea Redepenning, Heidelberg 2015, S. 191-204
Kenneth DeLong Hearing his Master's Voice. Smetana's "Swedish" Symphonic Poems and their Lisztian Models in: Analecta Lisztiana I. Liszt and His World. Proceedings of the International Liszt Conference held at the Virginia Polytechnic Institute and State University 20-23 May 1993, herausgegeben von Michael Saffle, Stuyvesant (New York) 1998, S. 295-334
David Clegg Franz Liszt: A Chronicle of the Hungarian Rhapsodies: Some Observations in: Liszt Society Journal, Bd. 21, 1996, S. 32–33
David Clegg, Gilbert Morse, Leslie Outwin, John Coleby Points of view (1. "Puszta Wehmut". Is it an original work of Liszt?, 2. Widely held fallacies about Liszt and some reasons for present-day lack of interest in his music, 3. The interpretation of Liszt's piano music, 4. Liszt's transcription of Berlioz' Symphonie Fantastique) in: Liszt Society Journal, Bd. 2, 1977, S. 29–31