Alan Davison Iconography in: Liszt in context, herausgegeben von Joanne Cormac, Cambridge u.a. 2021, S. 299-306
Alan Davison Romantic musical celebrity and printed portraits. Visual intimacy and mass-market distance in: Music, art and performance from Liszt to Riot Grrrl: The musicalizaton of art, herausgegeben von Diane V. Silverthorne, New York 2019, S. 33-48
Michael Meyer Chormusik als Medium der Geschichte. Narcisse-Achille de Salvandys Kompositionsbwettbewerb von 1845 und Franz Liszts Cinq choeurs in: Liszt-Jahrbuch, Bd. 1, 2016, S. 50–75
Alan Davison Liszt among the Degenerates. On the Vagaries of being a Musical Genius, c. 1890–c. 1935 in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 236–258
Pauline Pocknell Franz Liszt à Bourges in: Franz Liszt, un saltimbanque en province, herausgegeben von Malou Haine, Nicolas Dufetel, Lyon 2007, S. 123-147
Alan Davison Franz Liszt and the Development of Nineteenth-century Pianism. A Re-reading of Evidence in: The Musical Times, Bd. 147, 2006, S. 33–43
Alan Davison Virtuosity Domesticated. Portraits of Franz Liszt by Two Biedermeier Artists in: Nineteenth-century Music Review, Bd. 2, 2005, S. 3–22
Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Alan Davison Franz Liszt and the Physiognomic Ideal in the Nineteenth Century in: Music in Art, Bd. 30, 2005, S. 133–44
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104