Hyeon-ju Kim 리스트 즉흥연주의 진화, 1820–1850. 그 문화횡단적 (cross-cultural) 사고 (Riseuteu jeukheungyeonju ui jinhwa, 1820–1850. Geu munhwahoengdanjeok (cross-cultural) sago) in: Seoyang eum'akhak/Journal of the Musicological Society of Korea, Bd. 21, 2018, S. 113-162
Hyeon-ju Kim Liszt’s Composer-Mindset Response to the Critique of Opera Fantasy in: Eum'ak nondan/Journal of the science and practice of music, Bd. 39, 2018, S. 151-195
William Wright Johann Pixis, Caprice Dramatique op. 116. Early model for Liszt's Réminiscences de Robert le Diable S413 in: Liszt Society Journal, Bd. 42, 2017, S. 47-62
Hyeon-ju Kim 충실한 해석자 담론: 리스트의 '피아노 파르티씨옹'(Partition de piano )에 관한 음악비평을 중심으로 (Chungsilhan haeseogja damron. Riseuteu yi 'piano pareutissi'ong' e gwanhan eum'agbipyeong eul jungsim'euro) in: Seoyang eum'akhak/Journal of the Musicological Society of Korea, Bd. 20, 2017, S. 47-83
Natal'â Vladimirovna Devuckaâ К вопросу о программности Второй баллады Ф. Листа (K voprosu o programmnosti Vtoroj ballady F. Lista) in: VI Болховитиновские чтения: Искусство в контексте современной культуры—Материалы всероссийской научно-практической конференции, 5–7 ноября 2013 года (VI Bolhovitinovskie čteniâ: Muzykal'noe iskusstvo v kontekste sovremennoj kul'tury — Materialy vserossijskoj naučno-praktičeskoj konferencii, 5–7 noâbrâ 2013 goda), herausgegeben von Ol’ga Anatol'evna Skrynnikova, Woronesch 2016, S. 197-214
Hyeon-ju Kim Interpretive fidelity to Gypsy creativity. Liszt’s representations of Hungarian-Gypsy cimbalom playing in: JALS, Bd. 67, 2016, S. 27-71
Hyeon-ju Kim Translating the Orchestra. Liszt's Two-Piano Arrangements of His Symphonic Poems in: Journal of Musicological Research, Bd. 35, 2016, S. 299-323
William Wright Carl Czerny and Liszt's Early European Tours. 1823–1825 and 1826 in: Liszt's Legacies, herausgegeben von James Deaville, Michael Saffle, New York 2014, S. 389–396