Liszt-Portal: Bibliografie

22 Treffer

Vjera Katalinić, Sara Ries

Franz Liszt’s contacts with Croatian musicians and dignitaries

in: Arti musices: Hrvatski muzikološki zbornik, Bd. 49, 2018, S. 49-68

Natal'â Vladimirovna Devuckaâ

К вопросу о программности Второй баллады Ф. Листа (K voprosu o programmnosti Vtoroj ballady F. Lista)

in: VI Болховитиновские чтения: Искусство в контексте современной культуры—Материалы всероссийской научно-практической конференции, 5–7 ноября 2013 года (VI Bolhovitinovskie čteniâ: Muzykal'noe iskusstvo v kontekste sovremennoj kul'tury — Materialy vserossijskoj naučno-praktičeskoj konferencii, 5–7 noâbrâ 2013 goda), herausgegeben von Ol’ga Anatol'evna Skrynnikova, Woronesch 2016, S. 197-214

Vjera Katalinić, Sara Ries

National vs. International? Franz Liszt in Zagreb in 1846

in: Europe in the Time of Franz Liszt, herausgegeben von Valentina Bevc Varl, Oskar Habjanič, Maribor 2016, S. 56-62

The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work

in: Liszt Society Journal, Bd. 40, 2015, S. 3–15

"Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome

in: Studia Musicologica, Bd. 55, 2014, S. 17–26

Liszt's Music in C major

in: The Musical Times, Bd. 149, 2008, S. 70-80

Two Keys for Six Pieces. Tonality and Liszt's "Consolations"

in: JALS, Bd. 54–56, 2005, S. 125–133

The Choral Works of Liszt

in: Liszt Society Journal, Bd. 30, 2005, S. 8-11

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372

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