Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Zsuzsanna Domokos Liszt's Roman Experience of Palestrina in 1839. The Importance of Fortunato Santini's Library in: JALS, Bd. 54–56, 2005, S. 45–56
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Pauline Pocknell Le Liszt des phrénologues ou Liszt, Castle, la comtesse et la princesse in: Ostinato rigore. Revue internationale d'études musicales, Bd. 18, 2002, S. 169-183
Zsuzsanna Domokos Liszt e Verdi / Liszt és Verdi in: Guiseppe Verdi e l'Ungheria. Budapest Biblioteca Nazionale Széchényi 25 ottobre–31 dicembre 2001 / Guiseppe Verdi és Magyarorzúg. Országos Széchényi Konyvtar Budapest 2001. Oktober 25.–December 31, Budapest 2001, S. 104-131
Pauline Pocknell Franz Liszt's Unpublished Pocket-Diary for 1832. A Guide to his Memories in: Liszt 2000. Selected Lectures Given at the International Liszt Conference in Budapest, May 18.-20. 1999, herausgegeben von Klára Hamburger, Budapest 2000, S. 52–77
Zsuzsanna Domokos The Performance Practice of the Cappella Sistina as Reflected in Liszt's Church Music in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 41, 2000, S. 389–406
Pauline Pocknell Franz Liszt to "Monsieur Guhr". A Hitherto Unpublished Note to a Hitherto Unsuspected Correspondent in: JALS, Bd. 48, 2000, S. 1–16
Pauline Pocknell A Temporary Fellowship: Franz Liszt's and Adelaide Kemble's Symbiotic Relations, Socio-Critical Aspects and Aftermath of Their Concerts in London, Liège and the Rhineland in 1841 in: Liszt Society Journal, Bd. 25, 2000, S. 61–90