Michael Saffle Program music and Liszt's Unstern! in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 107-122
Michael Saffle Little-known American Liszt Editions of the 1840s and 1850s. A Preliminary Report in: Liszt Society Journal, Bd. 43, 2018, S. 36-45
Michael Saffle Liszt Catalogues and His Reputation as a Composer in: Liszt Society Journal, Bd. 43, 2018, S. 2-9
Zsuzsanna Domokos Sursum corda. The Programme of Death and the Eternal Life in Liszt’s Années de Pèlerinage Third Year and in some Late Works around it in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 16, 2018, S. 57-69
Zsuzsanna Domokos Sursum corda. A halál és az örök élet dilemmája Liszt Zarándokévek zongoraciklusának harmadik évében és a ciklus kései társdarabjaiban in: Magyar Zene: zenetudományi folyóirat, Bd. 56, 2018, S. 398-410
William Wright Johann Pixis, Caprice Dramatique op. 116. Early model for Liszt's Réminiscences de Robert le Diable S413 in: Liszt Society Journal, Bd. 42, 2017, S. 47-62
Michael Saffle Liszt, Musical Transnationalism, and the Symphonic Poem in: Musicologie nouvelles, 2017, S. 103-109
Zsuzsanna Domokos The Hungarian Royal Academy of Music in the 1880s. The collaboration and friendship between Liszt and János Verebi Végh in: Europe in the Time of Franz Liszt, herausgegeben von Valentina Bevc Varl, Oskar Habjanič, Maribor 2016, S. 47-55