Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Natalie Vincent-Arnaud De la prima voce à la "seconde main": la figure de Liszt dans quelques œuvres littéraires et cinématographiques contemporaines in: Franz Liszt. Lectures et écritures, herausgegeben von Florence Fix, Laurence Le Diagon-Jacquin, Georges Zaragoza, Paris 2013, S. 277-290
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Mária P. Eckhardt Franz Liszt and his Godson Francis Korbay. New Documents in the Liszt Ferenc Memorial Museum, Budapest in: JALS, Bd. 54–56, 2005, S. 85–101
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Mária P. Eckhardt, Rena Charnin Mueller (Catalogue of) "Works" in: The New Grove Dictionary, herausgegeben von Stanley Sadie, London, New York 2001, S. 785–872
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372