Małgorzata Gamrat Franz Liszt's Songs for Voice and Piano. The Composer's Approach to Poetry and Music Leiden, Boston 2024
Hyun Joo Kim 편곡 및 재작업(reworking)과 관련한 리스트의 용어들과 그 의미 / (Re)Assessment of the Terms for Liszt’s Transcriptions and Reworking in: Seoyang eum'akhak/Journal of the Musicological Society of Korea, Bd. 26, 2023, S. 105-136
Małgorzata Gamrat Le cycle vocal du XIXe siècle comme objet d’analyse interdisciplinaire. Le cas des mélodies de Franz Liszt in: Actes du IXe congrès européen d’Analyse musicale – Proceedings of the 9th European Music Analysis Conference – Atti del IX Congresso Europeo di Analisi Musicale – Akten des IX. Europäischen Kongresses musikalischer Analyse, herausgegeben von Pierre Couprie, Alexandre Freund-Lehmann, Xavier Hascher, Nathalie Hérold, Straßburg 2023, S. 1-6
Hyun Joo Kim 흑백 매체에서 ‘컬러’의 표현: 19세기 판화와 리스트 편곡의 미학 / The representation of color in black-and- white media. The aesthetics of Romantic prints and Liszt’s transcriptions in: Seoyang eum'akhak/Journal of the Musicological Society of Korea, Bd. 25, 2022, S. 58-87
Małgorzata Gamrat A Romantic Leaf from an Album, or a Well-Thought-Out Proposal. The Case of the Romance "Les pleurs des femmes" ("O pourquoi donc") Based on the Text by a Forgotten Russian Poet in: Liszt-Jahrbuch, Bd. 4, herausgegeben von Christiane Wiesenfeldt, 2022, S. 35–51
Natal’â Vladimirovna Korolevskaâ Слово и музыка. В пространствах смысла (Slovo i muzyka: V prostranstvah smysla) Saratov 2020
Hyun Joo Kim Liszt's representation of instrumental sounds on the piano. Colors in black and white Rochester 2019
Małgorzata Gamrat Liszt's Manuscripts at the Adam Mickiewicz Museum of Literature in Warsaw. A Preliminary Study in: Liszt-Jahrbuch, Bd. 3, herausgegeben von Christiane Wiesenfeldt, 2019, S. 50-64
Małgorzata Gamrat Les différentes notions d'amour dans les lieder de Franz Liszt in: Les grands topoï du 19e siècle et la musique de Franz Liszt, herausgegeben von Márta Grabócz, Paris 2018, S. 229-245
Małgorzata Gamrat Palimpsest, quotation, paraphrase, or self-allusion? Several remarks on Franz Liszt’s songs to texts by Pierre-Jean de Béranger in the context of a comparative study in: Liszt-Jahrbuch, Bd. 2, herausgegeben von Christiane Wiesenfeldt, 2018, S. 26-42