Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Ryszard Daniel Golianek A Polish saint. Historical-national themes in Franz Liszt’s oratorio 'St Stanislaus' in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 79–89
Ryszard Daniel Golianek En imitant le maître: le Grande Fantaisie de Jules Zarembski in: Quaderni dell'Istituto Liszt, Bd. 10, 2011, S. 162-185
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372
Ryszard Daniel Golianek The Salvation of Faust. The Narrative Function of the Tonal Structure in "A Faust Symphony" of Franz Liszt in: Context of Musicology, herausgegeben von Maciej Jablonsky, Poznan 1998, S. 107–113