Antonio Grande Liszt, Sonetto 47 del Petrarca: Una lettura narratologica in: Quaderni dell'Istituto Liszt, Bd. 22, 2022, S. 55-88
Imre Kovács Bestowing the Beethovenian musical heritage to Liszt: The Weihekuss reconsidered in: Ad Parnassum: A journal of eighteenth- and nineteenth-century instrumental music, Bd. 19, 2021, S. 21-33
Imre Kovács À la Chapelle Sixtine: On the Cultural Context of Liszt's Synesthetic Experience in: Music and the figurative arts in the nineteenth century, herausgegeben von Roberto Illiano, Turnhout 2020, S. 327-342
Michael Saffle Program music and Liszt's Unstern! in: Nineteenth-Century Programme Music. Creation, Negotiations, Reception, herausgegeben von Jonathan Kregor, Turnhout 2019, S. 107-122
Michael Saffle Little-known American Liszt Editions of the 1840s and 1850s. A Preliminary Report in: Liszt Society Journal, Bd. 43, 2018, S. 36-45
Michael Saffle Liszt Catalogues and His Reputation as a Composer in: Liszt Society Journal, Bd. 43, 2018, S. 2-9
Michael Saffle Liszt, Musical Transnationalism, and the Symphonic Poem in: Musicologie nouvelles, 2017, S. 103-109
Imre Kovács Álom és szinesztézia. Megjegyzések a Lohengrin előjátékának befogadástörténetéhez (Dream and synesthesia. Notes on the reception history of the prelude to Lohengrin) in: Magyar zene: Zenetudományi folyóirat, Bd. 54, 2016, S. 151-160
Imre Kovács Liszt's Hungaro-European Synthesis. Comments relating to the Cultural-historic Context of The Three Kings March of the Christus oratorio in: Studia Musicologica, Bd. 57, 2016, S. 379–390