Natal’â Vladimirovna Korolevskaâ Слово и музыка. В пространствах смысла (Slovo i muzyka: V prostranstvah smysla) Saratov 2020
Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Andrzej Tuchowski From lyricism to ecstasy: Chopin's 'Apotheoses'. Recapitulations, their impact on Liszt and on other composers of European neo-Romanticism in: "Grandeur et finesse". Chopin, Liszt and the Parisian musical scene, herausgegeben von Luca Sala, Turnhout 2013, S. 221–245
Andrzej Tuchowski Od liryki do ekstazy: Chopinowskie repryzy-apoteozy i ich analogie w twórczości Liszta in: Annales Universitatis Mariae Curie-Skłodowska. Sectio L: Artes, Bd. 11, 2013, S. 9–48
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372