Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Danièle Pistone Dire Franz Liszt dans la France contemporaine in: Franz Liszt. Lectures et écritures, herausgegeben von Florence Fix, Laurence Le Diagon-Jacquin, Georges Zaragoza, Paris 2013, S. 291-304
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Danièle Pistone Franz Liszt et les musiciens de Faust in: Ostinato rigore. Revue internationale d'études musicales, Bd. 18, 2002, S. 21-30
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372
Paul Merrick The Role of Tonality in the Swiss Book of Années de Pèrerinage in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383