Bibliografie

Paul Merrick

Liszt's sans ton Key Signature

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302

Paul Merrick

"nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira"

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372

Paul Merrick

The Role of Tonality in the Swiss Book of Années de Pèrerinage

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383

Paul Merrick

Liszt's use of the Key of D major: Some Observations

in: Liszt Society Journal, Bd. 23, 1998, S. 27–32

Paul Merrick

Original or Doubtful? Liszt's Use of Key in Support of His Authorship of Don Sanche

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 34, 1992, S. 427-434

Paul Merrick

Revolution and Religion in the Music of Liszt

Cambridge u.a. 1987

Paul Merrick

Responses and Antiphons. Liszt in 1860

in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 28, 1986, S. 187–194

Paul Merrick

Liszt and his Country 1869–1873. The book by Dezső Legány reviewed by Paul Merrick

in: Liszt Society Journal, Bd. 9, 1984, S. 58–59

Paul Merrick

Liszt and Pope Pius IX

in: Liszt Society Journal, Bd. 7, 1982, S. 39–40

Paul Merrick

Liszt and Cardinal Hohenlohe

in: Liszt Society Journal, Bd. 6, 1981, S. 31–32