Jim Samson The practice of pianism: Virtuosity and oral history in: Liszt and virtuosity, herausgegeben von Robert Doran, Rochester 2020, S. 221-237
Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Jim Samson Orpheus and the Exil. Liszt and Victor Hugo in: La note bleue. Mélanges offerts au Professor Jean-Jauques Eigeldinger, herausgegeben von Jacquline Waeber, Frankfurt a.M., New York 2006, S. 267–286
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Jim Samson Virtuosity and the Musical Work. The "Transcendental Studies" of Liszt New York, Cambridge 2003
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372